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2001 a space odyssey 196812/9/2023 ![]() ![]() Kubrick was paranoid that he’d put all this work into getting as close to reality with the concept of extraterrestrial life as he possibly could and then aliens would be discovered just before his expensive sci-fi movie was finished. Kubrick tried to take out an alien insurance policy. Though Kubrick would experiment with literal ways to show aliens in 2001, like hiring a ballet dancer in a special polka-dotted suit filmed against a black background, he settled on Sagan’s insinuation of extraterrestrials. I suggested that any explicit representation of an advanced extraterrestrial being was bound to have at least an element of falseness about it, and that the best solution would be to suggest, rather than explicitly to display, the extraterrestrials.” In his book The Cosmic Connection: An Extraterrestrial Perspective, Sagan explained, “I argued that the number of individually unlikely events in the evolutionary history of Man was so great that nothing like us is ever likely to evolve again anywhere in the universe. So he asked noted astrophysicist/author Carl Sagan for help. One of the biggest problems Kubrick had while developing the movie was how to depict these extraterrestrial life forms in a way that suited his abstract ideas, but could also be covered by the film’s budget. Dave Bowman makes contact with extraterrestrial life. Kubrick began principal production on the movie without knowing how to convey many of the film’s key scenes, most notably the ending where Dr. Kubrick had a little help from Carl Sagan. Kubrick was so taken by the short film that he hired Douglas Rain, the narrator of Universe, to be the voice of the evil computer HAL 9000 in 2001: A Space Odyssey, and also hired Universe’s optical effects artist Wally Gentleman to do special effects for the movie. Universe is a 28-minute, Oscar-nominated animated documentary from 1960 made by the National Film Board of Canada that was meant to be an awe-inspiring look at what it would be like to sail through space beyond the Milky Way. ![]() It’s no surprise that Kubrick selected “Universe” as a possible title for his movie, as it was also the name of one of the biggest inspirations he had while making it. Universe, Roman Kroitor & Colin Low, provided by the National Film Board of Canada One of Stanley Kubrick's biggest inspirations was a 1960 animated short from Canada. “As far as I can recall, it was entirely his idea.” 3. “Stanley selected 2001: A Space Odyssey,” Clarke said in his book, The Lost Worlds of 2001. The official MGM press release for the movie from February 1965 lists the title as Journey Beyond the Stars, though two months later Kubrick selected 2001: A Space Odyssey for the final title, as an homage to Homer’s Odyssey. Other temporary titles included Across the Sea of Stars, Universe, Tunnel to the Stars, Earth Escape, Jupiter Window, Farewell to Earth, and Planetfall. The pair’s first working title for the movie was Project: Space, which is listed in their first outline. It was never a serious title option, though in author Jerome Agel's 1972 book, The Making of Kubrick's 2001, Clarke admitted, " was our private title. It had a few alternate titles.ĭuring development on the movie, Kubrick and Clarke humorously referred to their lofty project as “How the Solar System Was Won,” a play on the title of the 1962 western epic, How the West Was Won. But Arthur took all the existing material, plus an impression of some of the rushes, and wrote the novel.” 2. This initial treatment was subsequently changed in the screenplay, and the screenplay in turn was altered during the making of the film. Per Kubrick, “The novel came about after we did a 130-page prose treatment of the film at the very outset. Clarke.Ĭaras introduced the two, with Clarke sending a telegram saying, “Frightfully interested in working with enfant terrible,” and soon the two were working on expanding Clarke’s short story “The Sentinel” into a movie treatment. Kubrick told Caras that for his next movie he wanted to do a movie about extraterrestrial life, which prompted Caras to suggest he get in touch with his friend, collaborator, and science fiction author, Arthur C. 2001: A Space Odyssey sprang from a February 1964 lunch between director Stanley Kubrick and Roger Caras, the publicist for Kubrick’s previous film Dr.
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